Could you tell us more about the interactive, original musical that you are putting together for children and their families?
Yes! Since my background includes creating and producing theatrical experiences for both
children and adults, I have learned something very important. If you want someone to really
remember something and make learning FUN, then put your words to music.
Have you ever created and produced a children’s musical before?
Yes! I created and produced The Sticky Bun Bandits. It was a riot. The music included everything from rock-n-roll, pop, and reggae, to hip hop.
What was The Sticky Bun Bandits about?
It helped children understand the what solutions are through my main characters: Wickelsnaker, a grandpa; his grandchildren, Sarah and Drew, and a multi-colored zebra called Jammin. I branded them “Solution’s Tour Guides.” Their first adventure was to help Big Ant find out where the greedy Sticky Bun Bandits were hiding all of the sugar, yeast and dough in Sweetland.
Where were the shows performed?
The cast performed at Malls; festivals; schools; parties, etc. I built it into a show that had a
tremendous demand.
Are you still doing the production?
No, right when I was at the top of the game, I experienced a health challenge that derailed my
career.
What have you learned from that experience?
Great question. I learned that success is not what I thought it was. Success to me, is being happy moment to moment. If I am having fun doing what I am doing, that is enough.
How will The Luckiest Penny be different?
Before, I wanted to prove what I was capable of. I did that. This time around, I want to share my wisdom and expertise with others so that they can shine!
Is there anything else that you would like to share with my readers?
Yes! Never, ever give up! We always hear these words and it can sound like platitudes. However,if you’ve lived a “Chutes and Ladders” type of life like I have, then you can say it from a different place--a place where it is not an exchange of words but an exchange of energy from the heart!
Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts
Thursday, September 3, 2009
Monday, August 3, 2009
More about Helena Harper
Biography of Helen Harper
Helena Harper is a native of England, but she grew up in a household that did things somewhat differently to other English households, because her mother was German (her mother had met her father in Hamburg at the end of WWII, when as a British soldier he had been stationed there). This mixed background has had a profound influence on Helena and her understanding of so-called national divisions and whom we call an 'enemy' and whom we call a 'friend'.
From an early age she loved to read and write, particularly fantasy stories, and later she enjoyed studying foreign languages. At Surrey University she studied German, Russian and International Relations and spent considerable periods of time in Germany, Austria and Russia as part of the course. After university she went into banking, but soon realised that was a big mistake. “I felt like I was being suffocated,” she says of the experience.
She then spent a year teaching languages at a private school in London, and enjoyed it so much she decided she would get properly trained. She did a Postgraduate Certificate in Education at Exeter University and then started her career as a modern languages teacher, a career which has lasted twenty years. During that time she has continued to write, concentrating primarily on fantasy stories for young children. However, in the past few years she has also discovered the joys of writing poetry for adults, and her first two books are poetry collections: It's a Teacher's Life...! and Family and More – Enemies or Friends?, which have been inspired by her professional and personal life.
Helena is now a private tutor and translator. She is continuing to write children's stories, and illustrations for her first children's picture book are now being done. Her aim is to see the book in print before the year is out. Many people ask Helena why she likes to write. She feels she can best express it like this:
The blank page calls,
the heart responds,
imagination spreads wide its wings
and launches into infinity...
Fingers dance,
words flow,
the page fills,
the soul takes flight
and the spirit sings.
Copyright © Helena Harper
Email: webmaster@helenaharper.com
Author's website: http://www.helenaharper.com/
Authorsden website: http://www.authorsden.com/helenaharper
Blog: http://helenaharpersblog.blogspot.com/
Follow her on Twitter: http://www.twitter.com/helenaharper
Purchase Family and More-Enemies or Friends?: http://www.eloquentbooks.com/Familyandmore.html
Helena Harper is a native of England, but she grew up in a household that did things somewhat differently to other English households, because her mother was German (her mother had met her father in Hamburg at the end of WWII, when as a British soldier he had been stationed there). This mixed background has had a profound influence on Helena and her understanding of so-called national divisions and whom we call an 'enemy' and whom we call a 'friend'.
From an early age she loved to read and write, particularly fantasy stories, and later she enjoyed studying foreign languages. At Surrey University she studied German, Russian and International Relations and spent considerable periods of time in Germany, Austria and Russia as part of the course. After university she went into banking, but soon realised that was a big mistake. “I felt like I was being suffocated,” she says of the experience.
She then spent a year teaching languages at a private school in London, and enjoyed it so much she decided she would get properly trained. She did a Postgraduate Certificate in Education at Exeter University and then started her career as a modern languages teacher, a career which has lasted twenty years. During that time she has continued to write, concentrating primarily on fantasy stories for young children. However, in the past few years she has also discovered the joys of writing poetry for adults, and her first two books are poetry collections: It's a Teacher's Life...! and Family and More – Enemies or Friends?, which have been inspired by her professional and personal life.
Helena is now a private tutor and translator. She is continuing to write children's stories, and illustrations for her first children's picture book are now being done. Her aim is to see the book in print before the year is out. Many people ask Helena why she likes to write. She feels she can best express it like this:
The blank page calls,
the heart responds,
imagination spreads wide its wings
and launches into infinity...
Fingers dance,
words flow,
the page fills,
the soul takes flight
and the spirit sings.
Copyright © Helena Harper
Email: webmaster@helenaharper.comAuthor's website: http://www.helenaharper.com/
Authorsden website: http://www.authorsden.com/helenaharper
Blog: http://helenaharpersblog.blogspot.com/
Follow her on Twitter: http://www.twitter.com/helenaharper
Purchase Family and More-Enemies or Friends?: http://www.eloquentbooks.com/Familyandmore.html
Friday, July 10, 2009
Self-Promotion: A Challenge with Self-Publishing and Small Presses
Most of us have heard of Mo Willems, Doreen Cronin or Sandra Boynton. They’re all big name children’s book writers signed with big name publishers. They have marketing teams behind them, designing stuffed animals, CD’s, and endless lines of follow up books. But, for most of us, that kind of success is just a dream. Many people these days are turning to self-publishing or small presses to get their feet wet.
In general, publishing with a small press is still more socially acceptable than self-publishing. Publishing with a small press also often brings the advantage of more support from the publisher. My picture book, Angeline Jellybean, was published by 4RV Publishing, and I was pleasantly surprised that I had so much input during the process.
Although all authors need to promote their books on their own to a certain extent, I find this particularly true for those published by small presses and self-publishers. It also seems true that we have to work twice as hard to get our names out there. Since Angeline Jellybean was published in December 2008, I’ve worked hard to promote it both online and off. I’ve also run into a number of challenges. The greatest challenge anyone who is self-published or published by a small press has to face is not getting shelf space in major bookstores. As a result, I’ve found it hard to find bookstores willing to host me for book signings or author appearances. I did manage to get a few copies of my book on the shelf at a local independent bookstore, but the same bookstore never granted my publisher’s request for a book signing. I recently sent a follow-up e-mail to the bookstore, and have yet to receive a reply.
Selling books is a big business, so it makes sense that bookstores want to carry merchandise that is going to sell. Sometimes, however, it feels like just another impossible hurdle to an author trying to make a name for himself. Most of the authors I know who have been published by small presses have turned to the internet for marketing and promotion. Groups like VBT-Writers on the Move, Goodreads, and invention of blogs help books live on even in a technology-driven world. When your book is only available online or though the author personally, it makes sense to promote online. Still, online promotion can only take you so far. I believe that you have to somehow break into the real world to make a name for yourself.
I have thought of a few qualities which authors must possess in order to make it big. Not surprisingly, time and money are on top of the list. Also included are patience, drive and determination. You can’t be timid about writing, calling or visiting local bookstores and libraries. You also can’t let yourself take it too personally when you get let down.
Still, I wonder if mainstream bookstores and schools could be more open to hosting a little-known author who just wants to get their feet wet. At the very least, I would expect more people to tell me no than not return my phone calls.
What do you think? Should we as writers be doing more, or are traditional venues for promotion and readings a thing of the past?
In general, publishing with a small press is still more socially acceptable than self-publishing. Publishing with a small press also often brings the advantage of more support from the publisher. My picture book, Angeline Jellybean, was published by 4RV Publishing, and I was pleasantly surprised that I had so much input during the process.
Although all authors need to promote their books on their own to a certain extent, I find this particularly true for those published by small presses and self-publishers. It also seems true that we have to work twice as hard to get our names out there. Since Angeline Jellybean was published in December 2008, I’ve worked hard to promote it both online and off. I’ve also run into a number of challenges. The greatest challenge anyone who is self-published or published by a small press has to face is not getting shelf space in major bookstores. As a result, I’ve found it hard to find bookstores willing to host me for book signings or author appearances. I did manage to get a few copies of my book on the shelf at a local independent bookstore, but the same bookstore never granted my publisher’s request for a book signing. I recently sent a follow-up e-mail to the bookstore, and have yet to receive a reply.
Selling books is a big business, so it makes sense that bookstores want to carry merchandise that is going to sell. Sometimes, however, it feels like just another impossible hurdle to an author trying to make a name for himself. Most of the authors I know who have been published by small presses have turned to the internet for marketing and promotion. Groups like VBT-Writers on the Move, Goodreads, and invention of blogs help books live on even in a technology-driven world. When your book is only available online or though the author personally, it makes sense to promote online. Still, online promotion can only take you so far. I believe that you have to somehow break into the real world to make a name for yourself.
I have thought of a few qualities which authors must possess in order to make it big. Not surprisingly, time and money are on top of the list. Also included are patience, drive and determination. You can’t be timid about writing, calling or visiting local bookstores and libraries. You also can’t let yourself take it too personally when you get let down.
Still, I wonder if mainstream bookstores and schools could be more open to hosting a little-known author who just wants to get their feet wet. At the very least, I would expect more people to tell me no than not return my phone calls.
What do you think? Should we as writers be doing more, or are traditional venues for promotion and readings a thing of the past?
Thursday, May 28, 2009
Teenage Angst
You've heard the saying "write what you know," right? I think that's part of the reason why I like to write for teens. I was a teenager not so long ago myself, and I can totally relate to their up and down emotions, struggles and daily life.
I was the kind of girl in high school who was in love with both the captain of the football team and the geeky guy who played trumpet in band. I was an orch dork and overweight and invisible.
I also realize, when I look back at my life now, that I was such a monster to my parents sometimes. Between the ages of 11 and 13 I picked so many fights with my parents simply because I wasn't afraid to express my opinion. I never snuck out late at night, but I was a holey terror when it came to getting my way.
In a way, I still feel like a teenager. I'm not afraid to take chances, I'm independant until I simply can't handle a situation anymore, and I'm still full of insecurities.
"Write what you know" doesn't mean write what you do every day. It's more about what you've felt and seen, dreamed and overheard. We all have a little angst left in us if we dig deep enough, and that's why I think sometimes it's not so hard to find a story within yourself that teens can relate to.
I had an idea today for a book called "Obesity Blues." I think I might start it out as a short story, as it's just a glimmer of something right now. Besides, I can't handle thinking about yet another YA novel at this point. The title just came to me- kind of a play on "Varisty Blues" I think. Anyway, I hope it comes out of me soon.
I was the kind of girl in high school who was in love with both the captain of the football team and the geeky guy who played trumpet in band. I was an orch dork and overweight and invisible.
I also realize, when I look back at my life now, that I was such a monster to my parents sometimes. Between the ages of 11 and 13 I picked so many fights with my parents simply because I wasn't afraid to express my opinion. I never snuck out late at night, but I was a holey terror when it came to getting my way.
In a way, I still feel like a teenager. I'm not afraid to take chances, I'm independant until I simply can't handle a situation anymore, and I'm still full of insecurities.
"Write what you know" doesn't mean write what you do every day. It's more about what you've felt and seen, dreamed and overheard. We all have a little angst left in us if we dig deep enough, and that's why I think sometimes it's not so hard to find a story within yourself that teens can relate to.
I had an idea today for a book called "Obesity Blues." I think I might start it out as a short story, as it's just a glimmer of something right now. Besides, I can't handle thinking about yet another YA novel at this point. The title just came to me- kind of a play on "Varisty Blues" I think. Anyway, I hope it comes out of me soon.
Saturday, April 4, 2009
The Poet in ME?
I sometimes refer to myself as an ex-poet. I've had some people, mostly poets, give me strange looks and say that's not possible. Once you become a poet, you start thinking like a poet, and you can never think differently.
And I guess that's true. I have never stopped looking at the world differently than the average person. I still see the beauty in everything. I guess the difference is, I'm directing those thoughts into different places now. Instead of writing a detailed, descriptive poem about a young boy and his grandma riding a city bus, I work it into a picture book. I tend to focus my attention more on children than adults. I also tend to focus on the outside world, not inside my own head. My poems tend to be self-reflective, but my picture books and novels examine the larger picture. Of course, I still use my own experiences when I write for kids, but they are mixed with things I've seen or heard kids do while out and about in the "real world."
I wonder sometimes if my lack of poetic moments lately is because I'm not living enough. I'm not out doing things and experiencing the world as much as I would like. I spend most of my time teaching or writing.
When I talk about why I pushed poetry aside, a few reasons keep creeping up:
And I guess that's true. I have never stopped looking at the world differently than the average person. I still see the beauty in everything. I guess the difference is, I'm directing those thoughts into different places now. Instead of writing a detailed, descriptive poem about a young boy and his grandma riding a city bus, I work it into a picture book. I tend to focus my attention more on children than adults. I also tend to focus on the outside world, not inside my own head. My poems tend to be self-reflective, but my picture books and novels examine the larger picture. Of course, I still use my own experiences when I write for kids, but they are mixed with things I've seen or heard kids do while out and about in the "real world."
I wonder sometimes if my lack of poetic moments lately is because I'm not living enough. I'm not out doing things and experiencing the world as much as I would like. I spend most of my time teaching or writing.
When I talk about why I pushed poetry aside, a few reasons keep creeping up:
- The need to be someone other than "me" in my work. Persona poems couldn't do it. People still thought I was being me.
- The inability to please myself and an audience at the same time. The audience at that point was mainly professors and other students.
- The feeling of being confined in twelve or so lines. It's odd, I used to never be able to write poems longer than fifteen lines. Now, I can't seem to get away from writing whole novels worth of stuff. It's liberating.
- The realization that I probably will never make money off of, or even publish, a book of poetry. Sad as it is, it's true. Publishing poetry is one of the hardest things to do, and if I couldn't do it "right" then I wasn't going to do it.
- The feeling that I needed to fit a "mold." Poets are picky. As a poetry student, I was told to follow all kinds of unwritten, contradictory rules. It was frustrating, and it sucked creativity out of me. Writing for kids is much more freeing. Just think of all the areas you can experiment with: non-fiction, picture books, rebus stories, poetry, middle grade fiction, YA novels, chick lit, fantasy, povels, the list goes on and on.
So the fact that I haven't finished a poem in over year doesn't really scare me. That I'm moving beyond 6+ years of doing the same thing every day excites me.
Labels:
children's books,
children's poetry,
genre,
goals,
me,
National Poetry Month,
picture books,
poems,
poetry,
poets,
writer,
writing,
YA novel
Friday, January 16, 2009
Interview with Suzanne Lieurance
Today it is my honor to interview children's writer and writing coach Suzanne Lieurance about her historical middle grade novel The Locket: Surviving the Triangle Shirtwaist Fire.
1.) I’m really fascinated by historical novels. Can you talk a little about the research process for your new book The Locket: Surviving the Triangle Shirtwaist Fire?
Actually, a few years ago I wrote a nonfiction book for Enslow Publishers about the Triangle Shirtwaist Factory Fire. So I had already done a lot of the research that was needed to write this historical novel based on that same incident. However, once I created a young girl and her family who lived in NYC during the early 1900s, I had to do more research to find out what they would have eaten, how they would have dressed and talked, and exactly where in the city they would probably have lived. And, I had to find out more about Jewish religious practices.
I also wanted to know more about Russian Jewish Immigrants, so I researched that. And, I have a dear friend who is Jewish, and her grandmother came from Russia in the early 1900s, so she was able to give me details that really helped bring my characters to life.
2.) Was 11 year old Galena, the heroine in the novel, based off a real person?
She wasn't based on any ONE real person. But, in the early 1900s there were many Russian Jewish immigrants who were young girls like Galena who worked in the Triangle Shirtwaist factory, so I used information about many of these REAL girls to create Galena and her family.
3.) Have you written any other historical works for children?
A few months ago I finished another historical novel for Enslow Publishers. This one is about a young Japanese-American boy and his family who are sent to one of the Japanese-American Internment Camps during World War II. I think that book is scheduled for release later this year. It was both fun and challenging to write. I found all sorts of information about the Internment Camps, but it was difficult to find specific information I needed so I could create details about the characters that would bring them to life.
4.) What advice do you have for writers out there who may be interested in writing historical fiction?
Try to locate as many primary sources as you can. If you enjoy research, you'll have fun combing through old letters, newspaper clippings, and diaries that you will find for the period you are writing about. To bring the past to life as vividly as possible, try to include plenty of sensory details in your work. Show us what the times looked like, sounded like, smelled like, etc. Also, check your facts very carefull, even though you're creating a fictional character. The places, events, and other people included in your story must be true to the time you writing about.
The Locket: Surviving the Triangle Shirtwait Fire is available at Amazon.com
1.) I’m really fascinated by historical novels. Can you talk a little about the research process for your new book The Locket: Surviving the Triangle Shirtwaist Fire?
Actually, a few years ago I wrote a nonfiction book for Enslow Publishers about the Triangle Shirtwaist Factory Fire. So I had already done a lot of the research that was needed to write this historical novel based on that same incident. However, once I created a young girl and her family who lived in NYC during the early 1900s, I had to do more research to find out what they would have eaten, how they would have dressed and talked, and exactly where in the city they would probably have lived. And, I had to find out more about Jewish religious practices.
I also wanted to know more about Russian Jewish Immigrants, so I researched that. And, I have a dear friend who is Jewish, and her grandmother came from Russia in the early 1900s, so she was able to give me details that really helped bring my characters to life.
2.) Was 11 year old Galena, the heroine in the novel, based off a real person?
She wasn't based on any ONE real person. But, in the early 1900s there were many Russian Jewish immigrants who were young girls like Galena who worked in the Triangle Shirtwaist factory, so I used information about many of these REAL girls to create Galena and her family.
3.) Have you written any other historical works for children?
A few months ago I finished another historical novel for Enslow Publishers. This one is about a young Japanese-American boy and his family who are sent to one of the Japanese-American Internment Camps during World War II. I think that book is scheduled for release later this year. It was both fun and challenging to write. I found all sorts of information about the Internment Camps, but it was difficult to find specific information I needed so I could create details about the characters that would bring them to life.
4.) What advice do you have for writers out there who may be interested in writing historical fiction?
Try to locate as many primary sources as you can. If you enjoy research, you'll have fun combing through old letters, newspaper clippings, and diaries that you will find for the period you are writing about. To bring the past to life as vividly as possible, try to include plenty of sensory details in your work. Show us what the times looked like, sounded like, smelled like, etc. Also, check your facts very carefull, even though you're creating a fictional character. The places, events, and other people included in your story must be true to the time you writing about.
The Locket: Surviving the Triangle Shirtwait Fire is available at Amazon.com
Saturday, January 10, 2009
Location, Location, Location
Have you ever noticed that we are more productive as writers in different environments?
In my former apartment, I couldn't write anywhere but at the desk in my office. I have a laptop, so in theory I can write anywhere, but I just couldn't get myself in the zone in my bedroom, livingroom, or anywhere else.
I don't seem to have that problem in my new place. I actually spend most of my writing time on my bed.
Right now, I'm in a coffee shop with bright, colorful coffee-drinking goats painted on the walls and a variety of crazy music blasting from the speakers. I have found this placethe perfect locaation to work on my YA novel and blog.
Where do you write most effectively?
In my former apartment, I couldn't write anywhere but at the desk in my office. I have a laptop, so in theory I can write anywhere, but I just couldn't get myself in the zone in my bedroom, livingroom, or anywhere else.
I don't seem to have that problem in my new place. I actually spend most of my writing time on my bed.
Right now, I'm in a coffee shop with bright, colorful coffee-drinking goats painted on the walls and a variety of crazy music blasting from the speakers. I have found this placethe perfect locaation to work on my YA novel and blog.
Where do you write most effectively?
Saturday, September 27, 2008
Midnight Hours! On November 1st
On November 1st, I will be hosting the last stop of the blog tour for Vivian Zabel's mystery Midnight Hours. I hope you'll all stop by and see what I've cooked up for that day. In the meantime, you can learn about Vivian and her book at http://www.4rvpublishingllc.com/Vivian_Zabel.html
Wednesday, August 13, 2008
Save the Dates- Pittsburgh
Heather McNaugher, Assistant Professor of English at Chatham University's MFA program, will be reading this Sunday, August 17th at 2PM at the Carnegie Library in Oakland.
The Fall Festival of Children's Books will take place Friday October 17th from 9AM-5Pm at the Children's Musuem on the North Side.
My picture book, Angeline Jellybean, comes out in February 2009!
The Fall Festival of Children's Books will take place Friday October 17th from 9AM-5Pm at the Children's Musuem on the North Side.
My picture book, Angeline Jellybean, comes out in February 2009!
Labels:
books,
children's books,
connections,
me,
picture books,
Pittsburgh,
poets,
publication,
reading,
writer,
writing
Saturday, April 12, 2008
Rectangle
Today in the mail I received my two copies of the Rectangle as payment for publication! For those of you who don't know, the Rectangle is the literary journal of Sigma Tau Delta, the English Major Honor Society. I was pleasantly surprised to find that I was among a great group of poets, including Cameron Conaway, former PSU-A classmate, Chatham MFA grad Nimi Finnegan, and current Chatham MFA student Meghan Tutolo. Congratulations to all of you! I'm honored to be listed among your talent. :-)
Labels:
friends,
literary journal,
me,
poems,
poetry,
poets,
publication,
publishing,
Sigma Tau Delta,
submission,
writer,
writing
Friday, September 7, 2007
Spotlight on: Bill Deasy

Bill Deasy is the singer/songwriter behind the catchy music for KDKA's new campaign "My Home." I'm sure you've seen the spot a million times on KDKA. I just discovered this Pittsburgh native myself, and I dig his musical style. I would describe him as rock/folk, but I'm not so good at clasifying music... anyway, check out his website, friend him on Myspace, and all that jazz! Oh, and for those of you in Pittsburgh, he will be having a CD release party and performance at Club Cafe on the Southside tomorrow night, September 8, starting at 7PM. You can check out the details on his website http://www.billdeasy.com/ . He will also be performing in my little hometown of Altoona on September 12th at the Railroader's Museum. He's opening for The Clarks.
You may also be surprised to learn that Deasy is also a novelist. His first novel was Ransom Seaborn. I hear he's coming out with a second as well. I can't attest to his skills as a novelist, since I haven't read any of his work, but he might be worth checking it out.
The preceding commercial has been brought to you by a Pittsburgh writer who loves music, other writers . . . and just so happens to think that Bill Deasy is a hottie. ;-)
You may also be surprised to learn that Deasy is also a novelist. His first novel was Ransom Seaborn. I hear he's coming out with a second as well. I can't attest to his skills as a novelist, since I haven't read any of his work, but he might be worth checking it out.
The preceding commercial has been brought to you by a Pittsburgh writer who loves music, other writers . . . and just so happens to think that Bill Deasy is a hottie. ;-)
Labels:
Bill Deasy,
Pittsburgh,
songs,
songwriting,
writer,
writing
Subscribe to:
Posts (Atom)



